I want to go home.
Don't be stupid. You got no home. You got me.
I want to play stickball. I want to go to school.
Phil.
I want to go home, Gloria.
Think of something funny.
I can't.
You? You can't think of something funny?
Anybody says anything funny to you...
...you practically split your blood vessels laughing.
Okay. Here, keep the change.
My book!
Okay, get it.
My father's book.
Come on.
I don't want to go to Pittsburgh.
- I'm sorry, Gloria, and I'm tired. - So what?
Excuse me. Which track for Pittsburgh?
- Miss, why don't you go to information? - Thanks.
Good afternoon, ladies and gentlemen.
Amtrak Train no. 27.
Leaving at 3:00 p.m. for Washington D.C.
- My friend and I would like a table. - This way, please.
Will this do?
- If it's the best you got. - Yeah.
Relax.
I don't know what's going on.
Nothing's going right.
Thanks.
Can I have a piece of pie?
What kind of pie?
Apple with vanilla ice cream.
We don't have apple.
- Then what do you have? - Peach.
Okay. I'll have peach with vanilla ice cream.
What to drink?
- I'll have a Coke. - He'll have milk.
I don't want milk.
- He'll have milk and I'll have a cup of coffee. - Black or regular?
- Milk and sugar on the side. - Milk and sugar on the side.
Take a walk.
What's funny? My nose?
No. You're so tough.
I'm tough?
I don't mean "tough."
So strong.
- You know. - Yeah, I know.
If you wanted to split up, it's okay with me.
Just don't be phony. I hate that.
We'll split up. What's that supposed to be, a threat?
You can't even carry my bag.
You can't even speak English. You can't even remember that book.
You can't even speak English.
Okay.
And you don't know enough to apologize when you're wrong.
You don't listen. And you're rude.
- I'm rude? - That's right.
That's a laugh.
What happened to my pie? And my vanilla ice cream?
You want it?
Take a walk.
Give me the book. Hand it to me.
Give it to me and shut up!
Now here's the book. Here's what you've been looking for.
I'm Gloria. I've got my hand on a gun.
I want to make a deal.
You want to make a deal?
I can't make that decision.
Why not?
Because I don't trust these guys and I'm not Mr. Tanzini.
Okay, you want it?
Tanzini, huh? You want it?
Okay, guys.
This is your option. You got two.
I got a 6-year-old kid over there, doesn't know his ass is up.
Had his whole family murdered by you punks.
Empty them in that.
Do it!
In the bag.
In the purse.
What's the matter?
What are they gonna do?
All right, pick the pieces up. Let's wait outside.
They'll wait for us outside.
- What are we going to do? - I don't know. Shut up.
There's a back way out.
Just sit there until I think of something.
Run! I'll lead the way.
Don't worry about it.
- This way. - No, come on, this way.
Get over here! This way! Get in there!
I'm telling you, it's this way.
Kid. Go on.
Kill me!
Phil...
...time to go.
What happened? You have a pain?
Was that the car? Did it scare you?
I just realized I'm doing the wrong thing.
I should be sending you to boarding school.
Okay.
Anyway, you're not Spanish like me.
You're not my mother, you're not my father, you're not anyone to me.
You're not enough for me.
Okay, Gloria?
So, I'm gonna find a family. Some new friends, and a girlfriend, too.
- Okay. - You're a nice girl, but you're not for me.
Fine.
See that bar across the street?
I'm going to be in there, having a drink.
You want to join me, fine.
If you don't, you want to run away...
...that's your problem.
'Bye, chiquita. 'Bye, little sucker.
'Bye, little insect. 'Bye, little fly.
'Bye, little tiny insect.
'Bye, sucker.
Wake up, that's all for you, Beanie. I don't want any headaches.
- Can I help you, miss? - Yeah.
Give me a beer.
Any particular kind?
Cold.
- Nice and cold. - Thank you.
You got the time?
8:30.
You open early.
Every morning. 8:00 a.m.
Bartender, I can't look, for whatever reason,
I can't tell you what it is, but...
Look over there.
Is there a kid coming in this way...
...or standing across the street?
Forget it.
I'm leaving that for luck.
Have a nice day.
Okay, just keep going down Broadway.
Nice and slow. I'm looking for somebody, okay?
Take a left up here.
There are a lot of Puerto Ricans in New York.
I don't imagine there are too many 6-year-old Puerto Ricans though.
Is your name Crubbs?
Come on. Your father home?
- Can I have a quarter? - Just give us the money.
Get your hands off me, kid. Beat it!
- Come on, a quarter. - A quarter.
Whatever we do, we do together.
We're not interested in that, kid.
Al, do me a favor. Take a walk. He's okay now.
Go to your room. Take your kid out of here.
- Who is it? - It's me. Who do you think it is?
Are you mad at me?
Mad at you? No. Frank, are we mad at him?
I don't get mad at kids. All we're going to do is take him for a ride.
That's all. Upstairs.
You're stupid.
You did the same thing to his father as they did to mine.
Had to shoot me with a Magnum.
Okay.
Are you kidding?
Okay, you bananas, inside.
Move it!
Phil, right here, next to me.
Get going, suckers.
There are women and kids here.
- Don't be stupid, will you? - Hold it.
There are women and kids here.
Move!
Freeze! Get out here, kid.
Dames in the bedroom.
That's it.
I want the sissy out here, up against the wall.
Right here.
Don't do it, fella, unless you're sick of your friend here.
Okay. I'm reaching.
Coming up.
Okay, inside, punk.
Are you with that dame? Because I'll kill you.
Okay, back in the bedroom.
You, out here.
Come on. Let me see that purse.
Back in the bedroom.
Okay, wise guy, your turn.
Okay, give me your piece.
Give me your piece.
All right. Here.
That's it.
Okay, back in the toilet.
Okay, everybody in the bathroom.
Everybody in the bathroom. Everybody.
Shut the door.
In 20 seconds...
...I'm going to start shooting through that door.
High, jerks, so get down on your stomachs.
Gloria, what are you doing?
I'm saving your life, stupid. Now pick up those guns.
Move it!
Move!
Move it!
You double-crossing little rat! Move it!
Come on, in the cab down there at the end of the street.
Come on.
Come on. I'd love it. Come on.
Don't hang back, I'd love it. Love it.
Get in that cab.
Get in.
Don't lose her.
Think they're gonna scare us, did they?
You know, it's not pleasant killing a woman.
Hey, fellas, here.
This is it right here. Driver, stop.
Out.
You, give me your hand.
You got it, baby.
I know I'm a lot of trouble.
No, you're no trouble.
I mean, I walk into a roomful of hoods.
A guy pulls a gun on me and you side with him.
You shot my friend's father.
I'll kill anybody that's trying to kill me.
You're right.
Then you wouldn't take the gun, then you didn't want to leave.
So where's your loyalty?
Where's my what?
I can't anymore in this local. Come on, let's get the express.
Come on. Excuse me.
Did I tell you to come on?
Get over here.
Get off at 42nd Street.
42nd Street.
What?
I don't understand.
What are you doing?
- Get off of me. - Leave her alone.
Be cool.
Let go of me.
Go ahead, try me.
You'll love it. Okay?
Sissies.
You let a woman beat you, huh?
You little tiny nothings.
You punk!
Go ahead, punk!
Come on. Go. Move!
I want two tickets to...
Excuse me.
When's the next train to Harrisburg?
This place is making me nervous.
Let's go to a hotel and get a night's sleep.
Okay.
- You hungry, kid? - No. I'm just tired.
Yeah, me too, kid.
Boy, they got everything covered.
Trains, planes.
I don't know.
Maybe Pittsburgh's connected, too.
Who knows?
They gotta have gangsters in Pittsburgh, too.
They don't.
Here it is.
Don't be scared.
I got my gun.
It's nothing for me to blow someone's brains out, believe me.
I just hope it's someone I know.
I'm with you, Gloria.
Get in the bathroom. Get in there!
- Who is it? - It's me, bellman.
We have our bags.
I have some flowers.
Compliments of the house.
You want me to put these in water for you?
Everything all right?
- Everything is not all right. - What's wrong?
Thank you.
Take a load off your feet.
Gloria, you won't believe this, but I'm growing up fast.
The first time I met you, I didn't know nothing.
I was ashamed to talk.
We can't go on like this.
What's the matter?
Unpack my clothes, will you? And run a hot bath, I want to steam them.
You want to take a bath first? You must stink by now.
No, I hate baths.
Don't worry, kid.
All this hopeless, stinking mess.
I asked you once if I could be your mother.
You didn't want that.
You want to be my mother? You could be my mother.
I don't have any mother, no more mother.
So you could be my mother.
Why would you want to be my mother?
I don't know.
Just want to clear things up.
You're my mother. You're my father. You're my mother.
You're my whole family.
You're even my friend, Gloria.
You're my girlfriend, too.
Well, I'd like to be family.
You think they're gonna catch us, huh?
I don't know. Probably.
You can't beat the system.
What's the system?
System?
I don't know.
Then how do you know you can't beat it?
Not too many people have.
Then have some people did?
Yeah, I think so.
I don't know.
Hey, Gloria, we gotta try. Even if we get shot.
You can't just keep on shooting everybody...
that goes knocking on your door.
Go to bed.
Sure. We'll have a good night's sleep.
Wake up tomorrow.
You'll think of something.
Yeah.
- Want me to turn off the light? - Yeah, turn off the light.
Aren't you coming to bed?
No, I'm going to take a bath. You go to sleep.
I only have a $100 bill.
Forget it.
Forget it?
Take the donuts, take everything. Go.
Okay. Thanks.
Hey Gloria.
Hey Sill, how are you?
Long time.
- What's up? - What's up with you, baby?
Just leaving.
See you, buddy.
Move over.
Where to?
Go down two blocks, take a left. Go another block and take a left again.
That's a one-way, lady.
Then go one more block.
You're looking good, Gloria. Where you been?
Give me a break, Sill.
Come on, Gloria, give it up, will you? It's all over.
Hey, there's no place for you to go.
Look, I take you in now, it means a lot of money to me.
It could make me a big man.
Help! Get your hands off me. Take your hands off me, you fat bastard!
What the hell are you doing?
Why don't you turn around? You look like an ape.
Get out of my cab, mister.
Get out of the cab.
Now, take it easy, big fella. What do I owe you?
I don't want your money. Take a walk and don't get back in the cab.
And don't lean on the cab. Don't lean on the cab.
What's wrong? What's the matter?
I gotta make a phone call.
Operator, I'd like to call 477-9970.
9970.
Yes, I hear it's busy.
Don't call me back. I'll call you in a couple of seconds, okay?
So, who are you calling?
Phil, listen to me now.
I'm going to call Tanzini.
Who is that?
Give me a chance, will you? To be your partner.
I mean, what am I for?
He's an old friend.
He's a Mob guy.
We used to live together.
He was your boyfriend?
Let me call this guy. Okay?
Operator, I'd like to try that 477-9970 again, please.
- It's ringing. - Do you trust this guy?
Tony? Gloria.
How are you?
Yeah, I'm fine.
Never mind where I am.
Can you help me?
Don't tell me, "It depends." I don't want to hear, "It depends."
I'm going to bring the book, Tony.
I'm fine. How are you?
You got fat?
Yeah, I love you, too.
I don't want to say when. But soon.
What happens if he doesn't help you?
I gotta take the book, Phil.
What happens if he double-crosses you?
He won't. I know him.
What happens if he kills you?
Look, I'd better give you some money. I only got $100s.
I tried to get some change this morning, but I couldn't.
Now take this $100. You get change.
Take the rest of these and you stuff them down inside your socks.
Don't tell anybody you got them.
You're a kid and they'll steal them from you.
You wait here three hours.
If I'm not back by then, beat it.
You'll be back, won't you?
Yeah.
I'll be back. Bank on it.
Three hours. Maybe I should wait three and a half?
Okay, three and a half, but no more.
If I'm not back in three and a half hours, it doesn't mean I'm dead.
It means I'm gonna meet you in the train station in Pittsburgh.
You understand?
I love you, Gloria. I love you to death.
Thanks.
Bolt it.
One, two, three...
...four and a half.
One, two, three...
...and a half.
What time do you have?
9:02, exactly.
To the button.
What time do you have now?
It's still 9:20.
- I hope you got change for $100. - You're kidding.
Forget it. Just wait for me.
Tony's expecting me.
Got a million bucks in this slow elevator.
Mr. T...
...Gloria's on the way up.
Come in, please.
Excuse me, could you wait, please?
It doesn't matter to me. Any way you want to do it.
It's up to him.
Excuse me, she's here.
I don't want to see her now. Let her wait.
She has the book.
Put her inside. She can wait. We don't want to be disturbed.
Please.
- Would you like coffee? - No.
- La frutta è pronta? - Un secondo.
- Who? - Harvey.
- Everything all right? - Go home.
Excuse me.
Where is the child?
Gloria, you are a smart girl. You understand.
I like children.
I don't want to kill children.
Those weren't murders that we did. You understand that?
Yes, I do.
The killings were made to set an example.
Where is the boy?
He's on a boat to South America.
Gloria, trust me. Maybe we can do something.
Trust you?
Tony, I know you.
You know the rules.
Tony, it's me, remember?
I know I'm a policy.
I'm not Gloria anymore. I know that.
You got a minute?
Smoke a cigarette with me, will you?
Well, hello.
Sorry to meet you guys.
Long as you're here, why don't you sit down?
This is Gloria.
A lot of money, which Gloria knows,
as she's one of us, has been jeopardized.
Let me tell you about this kid.
I know you all approve of mothers.
I know you all had mothers.
Me, I'm not a mother.
I'm one of those sensations.
I was always a broad. Can't stand the sight of milk.
Okay, I know you guys are going to have your day.
But maybe I could have a drink?
Do you think I could have a drink?
L'Chaim.
Nice girl.
Tell me about the boy.
Kill me.
What are you trying to say, Gloria? Life is very dear.
Do you think I want to kill you? I made love with you.
I bought you jewels.
He made a mistake.
He knew names, dates, money, account numbers...
...and he wrote it all down in that book. Did you read the book?
Yeah, I read the book.
Popeye, Mickey Mouse. So what?
The father turned state's evidence.
He was talking to FBI, CIA. Big mouth.
He hurt a lot of people. People that liked him.
The boy didn't see the murder. He was with me.
I don't like this kid.
You can't go around shooting our people.
Every time we try to talk to you, you pull a gun.
You killed people. People get angry.
I understand. You are a woman.
He is a little boy. You fall in love.
Every woman is a mother. You love him.
I love Phil?
We need the boy.
This kid is...
...and I'm just saying this because I don't know what the hell else to say...
...he's a very smart...
...you know, an ingenious guy...
...that I think is one of the greatest guys I ever slept with, you know what I mean?
Yeah, I know.
You want to shoot me, go ahead shoot.
I hope I'm not holding you up.
Tony, you know I don't want to be tortured.
So if you're a friend of mine, just do it quick, okay?
Tell you what, Mr. T.
I'm going to get up, walk out of here now. You want to stop me, you can.
She's leaving.
Tell her to shoot that sucker.
Give me the Magnum.
Hello.
Are you the man in 310 A?
Yes, I am the man.
This is the desk. We want to know if you're checking out.
I don't know.
All right, then you'll be keeping the room?
Yes.
We'll be staying here for two days.
Fine. We're just checking.
Can I have change for this, please?
How do you want it?
All $5 bills and five $1 bills.
Pittsburgh.
Only passengers with reserved tickets on this train are permitted to board.
Boarding on track no. 8. Thank you.
So where you going?
I don't know. I've never been to Pittsburgh before.
I think I was supposed to take a later train.
Maybe you can call them.
They're at the cemetery.
Which cemetery is that?
I forgot the name of it.
Carson Memorial?
That's it.
That's a long way from here. Want me to give you a lift?
No, thanks. You're a very nice man.
Want to wait for me? I want to go back to town.
How much money do you have?
Buddy, don't worry about it. I have money.
Is that enough, or is it going to cost me more?
Hello, Gloria. How are you?
I miss you.
But I know you're dead.
And I want you to know that I know you're dead.
Anyway, give my love to my family.
And I know you'll be seeing each other.
My mother loved you anyway...
...even though I didn't till now.
I made it to Pittsburgh, and... Amen.
Aren't you gonna kiss your grandmother?
Re Adaptation By: Ali Nabawy تقسيم وضبط واعداد الترجمه : على نبـوى Re Adaptation By: Ali Nabawy جماعة الفن السـابع بالاسكندرية Alynabawy@Hotmail.Com analazyz@yahoo.com http://wwwsevenart.blogspot.com/